Depeche Mode synths mounted as a single instrument – Neikka RPM reports

A large crowd was gathered in front of New York’s famous Metropolitan Museum of Art for last week’s opening of the Play It Loud Instruments of Rock & Roll.
The exhibit, co-curated by the Rock & Roll Hall of Fame and the Metropolitan Museum of Art, offers an amazing collection of instruments that helped shape the history of music. Among the collection was a unique piece of equipment (three ARP 2600 model synthesizers mounted together as a single instrument) used by Depeche Mode on the albums, “Songs of Faith and Devotion” (1993), “Ultra” (1997), and “Exciter” (2001).
Richard from the NY based Industrial N’ Beats act, Neikka RPM, was a guest at the event and reported to us that the exhibit was literally mind-blowing: “I just stared at the Depeche Mode synth rig, I examined it from top to bottom while the very songs it was used to create ran through my mind. I know I’m being over dramatic, but damn! It was like being completely awestruck by a religious relic!”
Neikka RPM are at the moment in the studio completing their much anticipated new album after completing a cover of the Depeche Mode song “More than a party”.
You can check out the complete Depeche Mode cover album right below.
For more on Depeche Mode, see Martin Gore (Depeche Mode) to receive 2019 Moog Innovation Award on Side-Line.
Support Side-Line
More people read Side-Line than ever, and there is still no paywall and no advertising. Readers pay for it instead - from $5 a month.
Why we ask
Advertising revenues across the media are falling fast. Unlike many news organisations we have not put up a paywall, and we refuse to add annoying advertising, so we need to ask for your help. Side-Line’s independent journalism takes time, money and hard work to produce, and we do it to push the artists we like, who are equally fighting to survive.
Handled by PayPal.
Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!

