Genre/Influences: EBM, Experimental, Cinematographic.
Format: Digital.
Background/Info: Human Vault is driven by the Hungarian born Gyorgy Turoczy aka ‘Mortum’. Based in New-York (USA) Human vault has been busy since 1997 and has released an impressive number of productions –mainly on the Hungarian label Exabyss Records. This first work released on Aliens Productions is maybe an opportunity to discover this project.
Content: “Self Rust” is clearly driven by good-old and worked-out EBM. The project is reminding me of early Frontline Assembly, and also to the coldness of The Klinik. Some parts are exploring experimental fields while you also will notice industrial elements. The vocals have been produced in a rather spooky way while there are also numerous spoken samplings running through the album. The dark and ghost-like atmosphere is more present than any kind of hard-danceable stuff.
+ + + : You clearly hear the maturity of this project. The songs are well-crafted and reveal a sophisticated format. There also is a kind of dramatic touch emerging at the surface, which is created by the dense ambient layers. This is accentuated by the ghost-like production of the vocals. Human Vault clearly reminds me of the magic of early EBM bands; comparing this music to FLA and The Klinik is more than simply a reference!
– – – : The album is maybe missing some hard-danceable cuts, but the strength of this album clearly lies in the impressive atmospheres instead of bouncing kicks and danceable tunes.
Conclusion: Human Vault confirms Hungary has a real talented and probably underrated electro-underground scene.
Best songs: “Damn You All”, “Fear Will Come”, “Self Rust”, “This Hate”.
Rate: (7½).
Artist: www.facebook.com/mortum.exabyss
Label: www.label.aliens.sk / www.facebook.com/pages/Aliens-production-label/200028820052578
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 2 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.
