Derision Cult drops all new single and video: ‘Warning Signs’
Derision Cult
The Chicago-based industrial metal band Derision Cult has released their new single and video, “Warning Signs”. The video premiered at Glitch Mode Recordings’ immersive cyberpunk showcase, Tech Noir, on July 20, 2024.
“Warning Signs” is a fast-paced industrial metal track featuring heavy, spoken-word vocals, thrash metal guitars, cyber beats, and guitar by former David Bowie guitarist, Reeves Gabrels.
Lyrically, “Warning Signs” explores the current turbulent cultural climate, highlighting the warnings that surround us. The chorus, “Is it getting real enough yet?” draws from a true story shared by frontman Dave McAnally’s brother, a Naval EOD officer. During a raid, a Hollywood director, witnessing the aftermath of a firefight, was shaken. As a Navy SEAL carried the body of a Taliban member past the director, he chillingly remarked, “Oh, is it getting real enough yet?”
The single features contributions from Glitch Mode stalwarts, including Jim Marcus, David Kultgen, Justin Broadrick, Chris Harris, and Pete Berwick. The video was created by Vancouver-based Empire Animae. Empire Animae previously collaborated with Derision Cult on their “Deaf Blood” video.
“We had so much fun with the ‘Deaf Blood’ video we couldn’t wait to work with Empire Animae again,” says Derision Cult founder, Dave McAnally. “This time around, we wanted to do a whole different setting and just go crazy with influences from ‘Fear and Loathing in Las Vegas,’ Martini Ranch and do things with animation that wouldn’t be possible in a live-action video.”
About Tech Noir
Tech Noir is Glitch Mode Media’s Cyberpunk Showcase, held in Chicago on July 20th. The event featured the premiere of the “Warning Signs” video and live performance, celebrating 40 years of cyberpunk culture. Tech Noir included performances from nine bands, cyberpunk films, and fashion, all housed in a building that once served as Al Capone’s private club. Tech Noir aims to redefine live music experiences by combining film and music in innovative ways.
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Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!
