Tineidae – Dead Chapters (Digital Album – Artificers)
Ukrainian artist Pavlo Storonsky has been active under the Tineidae moniker for several years, building an impressive and successful discography. A prolific musician, he has once again released multiple albums this year. His latest solo work, released on the Polish label Artificers, presents a distinct shift from his recent output on Cryo Chamber. Revisiting his roots, he has completed several ‘older’ tracks reminiscent of the IDM golden era, particularly the albums associated with Tympanik Audio. This album embodies sonic intelligence, minimalism, and creativity, all of which contribute to its visionary appeal. Tineidae excels in crafting brilliant, ice-cold soundscapes propelled by slow, deliberate rhythms. The vintage sound treatments, rich in texture, are at times overwhelming, delivering a profound auditory, blasting, experience. The music often takes on a ‘space-like’ quality, occasionally expanding into fully Cinematic passages. Deep, resonating vibrations seem to reverberate within you, amplifying the album’s almost mystical allure. “Dead Chapters” showcases Tineidae at his finest, a masterful work that truly captivates the listener. (Rating:8½ ).
Listen to “Call Of The Void”:
About Tineidae
Tineidae is the project of Ukrainian artist Pavlo Storonsky, based in Poland. Storonsky debuted with “Lights” on Tympanik Audio in 2012, working in an IDM-influenced style before moving toward Ambient and Cinematic sound as part of the Cryo Chamber roster, where he also recorded the collaboration album “Reports From Isul” with Burma Project.
“Dead Chapters” was released digitally on September 6, 2024 via the Polish label Artificers, returning to the IDM style of his early records. In a 2025 Tineidae interview with Side-Line, Storonsky described the project as a mechanism of emotional self-regulation. The album reviewed here is that Artificers release.
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
