Genre/Influences: Techno-Body, Industrial-Body. Format: Digital. Background/Info: Maedon (Maeghan Donovan) last year released the promising debut…
Genre/Influences: Techno-Body, Industrial-Body.
Format: Digital.
Background/Info: Maedon (Maeghan Donovan) last year released the promising debut EP “Against His Will”. The American artist now strikes back with a new work featuring three songs while we might expect her debut album for early 2021. The EP title is for sure inspired by her stay in Berlin (Germany) where she recorded these tracks during the quarantine.
Content: Maedon moves on producing merciless Techno-Body music, which is driven by murderous, beating kicks. The songs have been recovered with a true sonic arsenal of industrial noises and spoken samples. Metallic sound treatments are accentuating the icy sphere hanging over this work.
+ + + : Sonic Groove owner Adam Mitchell (Adam-X) last year introduced Maedon as one of the hardest projects from the label and this new EP only confirms that statement. This girl brings furious Techno music, which has been roughly mixed with elements of EBM and Industrial. There’s a perfect fusion between all different elements creating a sonic osmosis. There’s something to say about the three cuts, but I have a preference for the opening piece (cf. “American Dream”) while the last one (cf. “Pandemonium”) is another cool song.
– – – : I think that Meadon is even able to do better; maybe by adding some extra little details and variations on top of her work. I’m really wondering how her debut album will sound-like!
Conclusion: Meadon confirms her writing skills to compose icy, perverted Techno music; and I mean it as a compliment!
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.