Depeche Mode fans urge hometown tribute in Basildon
Depeche Mode portrait 1982 (Photo by Brian Griffin)
Fans of Depeche Mode are calling on Basildon, Essex – the town where the band was formed in 1980 – to officially honour its legacy as the birthplace of one of the world’s best-selling electronic acts.
The group began as a four-piece under the name Composition of Sound before evolving into Depeche Mode. Members Vince Clarke, Martin Gore, and the late Andy Fletcher all attended local schools in Laindon. Dave Gahan, who later joined as frontman, attended Barstable School.
Despite global success, there is currently limited recognition of the band in their hometown. Barclay Quarton, frontman of Depeche Mode tribute band The Devout, expressed his disappointment in a BBC interview, saying: “In Basildon, there should be some sort of mural or something that draws in tourism from around the globe to say magic was created here.”
The BBC Radio 4 documentary, “Depeche Mode: Reach Out and Touch Faith“, recently explored the band’s working-class roots and the early musical environment in the town. However, the Council has not issued a comment regarding the call for local recognition.
Visible tributes to Depeche Mode remain scarce in Basildon
A small plaque at James Hornsby School, formerly Nicholas School, marks the site of the band’s first gig. But aside from portraits in the Towngate Theatre, visible tributes to Depeche Mode remain scarce.
Deb Danahay, who helped run the early Depeche Mode Information Service and dated Vince Clarke in the band’s early days, now leads guided tours for fans – many of whom travel from countries such as Germany and Argentina expecting to see statues or other public displays. “Most of them think they’re going to come to the town centre and there’s going to be statues of the band – they’re really shocked [that there isn’t],” she said in the same BBC interview.
Danahay, based in Canvey Island, has led groups to school sites, plaques, and display boards that also include images of fellow Basildon-born artists such as Alison Moyet, The Cure’s Perry Bamonte, and Bob the Builder creator Keith Chapman. However, she notes the experience is limited in comparison to what fans hope for.
Not that some of the band’s own comments on the town in past interviews really were encouraging, Gore once said, “I really hated Basildon. I wanted to get out as quickly as I could,” while Gahan described the town as “awful”.
Despite this, fans continue to make pilgrimages. Danahay explained that the new town’s post-war character played a role in the band’s rise: “There weren’t people saying you shouldn’t be doing this or that. We had so much freedom and didn’t appreciate it.”
Below is an overview of some of the performances and interviews the band gave for the BBC.
About Basildon
Basildon is a town located in the county of Essex, in the East of England, approximately 25 miles (40 km) east of London. It is part of the Basildon Borough, which includes other nearby settlements such as Pitsea, Laindon, and Wickford.
It was officially designated a “new town” in 1949 under the New Towns Act, designed to alleviate housing shortages in post-war London. It was built to accommodate Londoners relocated from bombed-out areas. It was planned with a modernist approach, featuring a large pedestrianised town centre, green spaces, and a road network intended to separate traffic from residential zones.
As of the 2021 census, the population of the town was around 115,000, while the broader borough exceeds 180,000.
The town has a mixed economy with strengths in manufacturing, logistics, and services. It has hosted companies like Ford Motor Company, New Holland Agriculture, and various electronics firms.
The town has several secondary schools and colleges, including South Essex College. Culturally, Basildon has theatres such as the Towngate Theatre, and public artworks including the well-known Mother and Child sculpture in the town square.
Despite its role in post-war housing development and economic rebuilding, the town has received mixed opinions. Some residents and cultural figures have been critical of its aesthetics and social challenges, while others note its unique identity shaped by working-class roots and musical legacy.
Side-Line also covered Depeche Mode’s ‘101 Hang – Depeche Mode – Special Tribute’.
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