Alley Cat (Kokeshi label head) finally lands debut album tomorrow: ‘The Widow Project’ – Orders available now

Alley Cat (Photo by Emily-Clare Negus)
This is the release we’ve been anticipating for years! London-based Kokeshi label head Alley Cat drops her dark dubstep/ambient debut album, “The Widow Project”, tomorrow, November 7th. Distributed by Virgin/UMG via Outpost, the album spans 16 excellent tracks that showcase Alley Cat’s distinct sonic vision. The Kokeshi label first captured our attention back in 2009 with the standout single “Afterlife / Time” by Lung.
“The Widow Project” fuses elements of dark wave, drum & bass, dark ambient, dubstep, and jungle, crafting a sound that is both intense and atmospheric. The album will be available as a digital download, with an exclusive limited-edition cassette version on Bandcamp. This transparent/dark red cassette comes with a full-color, one-sided J-card in a transparent case — a true collector’s item.
Marking her first full album release, Alley Cat (aka Alicia Catherine Bauer) follows three previous singles: “Density (Alley Cat Remix)” (Sep 2024), “Big Bad Dark City “EP (Sep 2023), and “Purple Clouds / The Missing Channel” (Apr 2010). Alley Cat wrote and produced each track herself, with co-writing contributions on “Mary in the Mirror”, “Dorothy”, and “Walk Around” from Johnette Lin Napolitano, and on “Phantom” from Irrelevant (J.Pratt).
Alley Cat, who entered the dubstep scene in 1997, has DJed worldwide, hosted her own label nights at Fabric, produced the Kokeshi podcast, and helmed the Kokeshi label since 2009. Warmly recommended!
Right now, you can listen to the single “Walk Around” featuring Napolitano.
Support Side-Line
More people read Side-Line than ever, and there is still no paywall and no advertising. Readers pay for it instead - from $5 a month.
Why we ask
Advertising revenues across the media are falling fast. Unlike many news organisations we have not put up a paywall, and we refuse to add annoying advertising, so we need to ask for your help. Side-Line’s independent journalism takes time, money and hard work to produce, and we do it to push the artists we like, who are equally fighting to survive.
Handled by PayPal.
Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!
