Terence Fixmer drops brand new ‘Evolve’ remix by Marcel Dettmann – Out now
Terence Fixmer (Photo by Rebeca Balas)
French electronic producer Terence Fixmer has announced a new three-track EP titled “Magnetic North”, set for release on July 16 via NovaMute / Mute. Ahead of the release, Fixmer has unveiled a remix of “Evolve” by German techno artist Marcel Dettmann.
The remix reworks one of the key tracks from Fixmer’s latest album “The Paradox in Me” – Fixmer’s second album for Mute / NovaMute – and will be included on the upcoming EP. “Magnetic North” will also feature a remix of “Another End” by German DJ Oliver Rosemann, founder of the Recorded Things imprint, and a new title track that Fixmer says “serves as a bridge between ‘The Paradox in Me’ and the sound of my future album, which will be more techno, and hypnotic with raw sounds.”
Fixmer comments: “Marcel chose ‘Evolve’ to remix, he always likes tracks when I put my voice to it. I love the way it starts with a dubby direction, before developing into electronic club sequence and bringing on the voice. Marcel is so creative, it’s an honour to share this remix.”
The remix is part of a larger release schedule for Fixmer. An extended edition of “The Paradox in Me” will also arrive on July 16, featuring three additional tracks: “In Synthesis (Vocal Mix)”, “Razor Sharp (Version Two)”, and “Close to You (Live Version)”.
About Terence Fixmer
Terence Fixmer is a French techno and EBM producer who launched his career in the late 1990s by founding the Planete Rouge label in 1998. He gained recognition for blending industrial and techno with his 2001 debut “Muscle Machine”. His collaborative project Fixmer/McCarthy with Douglas McCarthy (Nitzer Ebb) yielded two albums that fused EBM with techno aesthetics.
His remix work spans artists such as Front 242, Nitzer Ebb, Depeche Mode, Ellen Allien, DJ Hell, Dave Clarke, and Sven Väth. Fixmer’s discography includes multiple releases on NovaMute, Electric Deluxe, CLR, and Ostgut Ton.
Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
