December 2, 2024

Sans-Fin – Etat De L’Art (CD Album – Hands)

0
Sans Fin
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Rhythmic-ambient,

Background/Info: Sans-Fin is taken from the French language, but the project is from Leipzig (Germany). Driven by DJ Hells, Sans-Fin previously released three albums on Raumklang Music. They now joined the established industrial Hands label, which might be seen as a consecration for this project.

Content: “Etat De L’Art” is not exactly the most ‘classical’ release you might expect to discover on Hands. The work is clearly driven by two important elements: rhythmic and ambient spheres. The repetitive cadence has something technoid while the electronics are pretty space-like. There’s something cinematographic running through this work, but there are also some harder parts revealing aggressive sequences. Both last cuts are remixes by _Hottek and 16Pad Noise Terrorist.

+ + + : Hands is not repeating itself and is daring to innovate. “Etat De L’Art” has something of a challenge and can even convince me when it becomes a bit trance-like (cf. “Pompe A Engrenages”) or simply more aggressive thanks to the remix of _Hottek. Both remixes add some diversity to the work.

– – – : The sound formula is interesting, but Sans-Fin has no limits when it comes to abuse of this formula. So the tracks become pretty similar and without absolute highlights.

Conclusion: Hands is without a shadow of a doubt one of my personal favorite labels from the electro/industrial underground scene, but this album must be one of the first that couldn’t really convince me!

Best songs: “Pompe A Engranages”, “Tuyau De Guidage –     _Hottek Remix”, “Cadencer Son Pas – 16Pad Noise Terrorist Remix”.

Rate: (6).

Artist: www.facebook.com/Sansfin-402171113218687

Label: www.handsproductions.com / www.facebook.com/hands.official

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights