Industrial veteran Rhys Fulber reworks Rogue Unit vs Darkvolt track “The Truth” for DressCode Black
Industrial veteran Rhys Fulber reworks Rogue Unit vs Darkvolt track "The Truth" for DressCode Black
Rogue Unit vs Darkvolt release the digital single “The Truth (Rhys Fulber Remix)” on 23 January 2026 via Antwerp-based label DressCode Black, a sublabel of Detroit-Berlin focusing on EBM, electro, new wave and industrial acts. The track is is a dark electro / industrial rework and forms the second instalment in a planned five-part remix series leading up to the EP “State Of Calamity“, scheduled for April 2026.
“The Truth (Rhys Fulber Remix)” follows a first single in the series, “Aggression (CJ Bolland Remix)”, which opened the “State Of Calamity” series at the end of 2025. All five remixes are planned to precede the EP, which will combine new Rogue Unit vs Darkvolt tracks with reinterpretations by several established producers from the international electronic and industrial scenes.
“The Truth (Rhys Fulber Remix)” comes as a standalone digital track.
About Rogue Unit vs Darkvolt and Rhys Fulber
Rogue Unit vs Darkvolt is a collaboration between Belgian producer Rogue Unit and vocalist Darkvolt. Rogue Unit is an industrial-techno project oriented toward club-focused material with a darker, atmospheric edge, while Darkvolt operates as an electro-industrial / dark-electro vocalist and songwriter.
Darkvolt’s catalogue includes the full-length album “Songs for Halloween”, which combines EBM, darkwave and industrial elements and was released via DressCode Black. On Side-Line we have previously covered Darkvolt’s digital single “White Lie“. Darkvolt also appeared in the remix context of CauseNation.
Rhys Fulber, born 10 October 1970 in Vancouver, Canada, is a producer, composer and musician. He is widely recognised as a key member and collaborator of Front Line Assembly, the electro-industrial band founded by Bill Leeb, and of Delerium, the duo whose single “Silence” featuring Sarah McLachlan became an international club and radio success. As part of Delerium, Fulber co-wrote and produced “Silence”, which has been repeatedly reissued and remixed since its original 1999 single release.
Parallel to his band work, Fulber has maintained an extensive solo career. Since 2017 he has released a sequence of albums and EPs that connect industrial, EBM and techno, including “Your Dystopia, My Utopia” (2018) and “Ostalgia” (2019), both issued on Sonic Groove, and “Brutal Nature” (2021) on FR Recordings. More recently he released “Memory Impulse Autonomy” (2025) on Artoffact Records.
Fulber’s production and remix credits extend into metal and industrial-metal, including work with Fear Factory and involvement around the “Demanufacture” era, as well as contributions linked to Nailbomb’s live activity. His remixes for electro-industrial acts include contributions to Skinny Puppy’s remix collection “Remix Dys Temper”,.
In addition to album work, Fulber has written music for contemporary media. The tracks “Drained” (with Sao Mai) and “Subvert” (with Spooneater) feature on the “Cyberpunk 2077: More Music From Night City Radio (Original Soundtrack)”, released in 2021 by Lakeshore Records.
Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
