Philip Glass condemns unauthorized use of his music at the Sevastopol Opera and Ballet Theater in temporarily occupied Crimea

Philip Glass condemns unauthorized use of his Music at the Sevastopol Opera and Ballet Theater in occupied Crimea
Philip Glass, the American composer, has publicly condemned the unauthorized use of his music by the Sevastopol Opera and Ballet Theater in Crimea. This protest stems from the theater’s plan to premiere a ballet adaptation of “Wuthering Heights”, based on the novel of the same name by Emily Brontë with music by Philip Glass, without his consent.
Glass expressed his outrage in a letter posted on X, saying that the use of his music and name without permission violates the Berne Convention for the Protection of Literary and Artistic Works. He described this action as “an act of piracy” but also acknowledged that the current political situation in temporarily occupied Crimea renders him powerless to legally enforce his rights. However, he made it clear that he strongly objects to the unauthorized use of his work and name.
— Philip Glass (@philipglass) July 25, 2024
The ballet is set to include not only Glass’s compositions but also music by Icelandic composer Hildur Guðnadóttir.
The theater’s director, Sergei Polunin, a known supporter of President Vladimir Putin, is expected to perform a leading role in the production​.
In 2019, the Paris Opéra Ballet revoked an invitation for him to perform due to backlash over his homophobic and sexist social media posts. Polunin is also an outspoken supporter of Vladimir Putin and the Russian invasion of Ukraine, which has alienated many in the dance community. Sergei Polunin also has three tattoos on his chest and shoulders depicting Russian President Vladimir Putin.
A full blown fanatic in other words.
Support Side-Line
More people read Side-Line than ever, and there is still no paywall and no advertising. Readers pay for it instead - from $5 a month.
Why we ask
Advertising revenues across the media are falling fast. Unlike many news organisations we have not put up a paywall, and we refuse to add annoying advertising, so we need to ask for your help. Side-Line’s independent journalism takes time, money and hard work to produce, and we do it to push the artists we like, who are equally fighting to survive.
Handled by PayPal.
Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!
