May 25, 2024

H/P – Programma (Album – BOREDOMproduct)

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Genre/Influences: Electro-Pop.

Format: Digital, CD.

Background/Info: Happiness Project changed their name into H/P. Previous singles “Ultraviolin” and “Black Tea” revealed a true metamorphosis. “Programma” features ten songs of vintage Electro-Pop.

Content: The album stands in the tradition of BOREDOMproduct; pure Electro-Pop with delicate bleeps and retro sound treatments. H/P moved a bit further composing their songs with analogue equipment which only reinforced the 80s feeling. The songs remind me of bands like Taxi Girl, Kraftwerk, Visage and even Elli & Jacno. So it’s not really a surprise they invited Alain Seghir from the 80s formation Martin Dupont to play bass guitar on the last song of the album.

+ + + : The 80s approach is not the most original format, but real analogue gear still have this magic effect on me. Unique sound treatments mixing coldness together with melodies create the soul of this work. And it’s a great album revealing multiple noticeable songs like the already known singles “Ultraviolin” and “Black Tea”, but also the excellent opener “I Prefer Two” which sounds as the offspring between Kraftwerk and Taxi Girl. Another great piece of music is “The Alarmist”. It’s pure nostalgia and especially the strings are magic. “Les Choses” is another cool song I want to mention. Last, but not least I also like the production of the vocals revealing different songs featuring male- and female vocal parts.

– – – : I don’t have real minus points about this album, but let’s say that the ‘softer’ cuts like “Hope In The Distance” and “Black Tea” aren’t my favorites.

Conclusion: H/P has achieved a great piece of music. The metamorphosis from Happiness Project into H/P sounds like a great sonic upgrade. 

Best songs: “Ultraviolin”, “I Prefer Two”, “The Alarmist”, “Les Choses”, “Programma”.

Rate: 8.


Label: /

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

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