Gopota – Music For Primitive (CD Album – Gopota)

Genre/Influences: Noise & dark-ambient.
Background/Info: Gopota resulted from the common efforts between the projects Empty Chalice and Obozdur. I last year discovered this new noise-formation by the “Knots Of fear”-album.
Content: This new opus features 5 tracks, which are driven by noise treatments, but mixed with overwhelming dark-ambient atmospheres. The ambient input injects a more accessible element to the work, which has been even reinforced by some ghost-like voice passages.
There also is a solid experimental influence running through the work. It mainly consists of field recordings accentuating the visual strength of some tracks.
+ + + : “Music For Primitive” moves towards a more accessible yet still extreme sound creation. I like this evolution for its visual appeal. The industrial crashes and sharp noise treatments create a delicious fusion with the numerous field recordings. “Meaningless” is a noticeable song in the genre. This new work is also more elaborate and I was especially impressed by the diverse sound manipulations. The addition of a few vocal lines also is an interesting move.
– – – : Even if the songs are quite long in duration I think it’s a pity we only get 5 cuts. The intro cut is not exactly the most exciting one. The experimental and somewhat abstract approach still isn’t the most accessible aspect of the album.
Conclusion: Gopota is progressively experimenting new influences and really seems to have found their sonic path. This is an interesting twist between noise and dark-ambient music.
Best songs: “Meaningless”, “Summa Liturgica”.
Rate: (7).
Band: www.facebook.com/empty.chalice
Support Side-Line
More people read Side-Line than ever, and there is still no paywall and no advertising. Readers pay for it instead - from $5 a month.
Why we ask
Advertising revenues across the media are falling fast. Unlike many news organisations we have not put up a paywall, and we refuse to add annoying advertising, so we need to ask for your help. Side-Line’s independent journalism takes time, money and hard work to produce, and we do it to push the artists we like, who are equally fighting to survive.
Handled by PayPal.

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.
