Genre/Influences: Dark-Rock, Chanson. Format: Digital, CD, Vinyl. Background/Info: “How’s The View There?” is the debut-album…
Genre/Influences: Dark-Rock, Chanson.
Format: Digital, CD, Vinyl.
Background/Info: “How’s The View There?” is the debut-album –which rather looks more like a mini-album, by Fritch. The band consists of Will Wilkinson, Stephen Tee, Anna Cotten, B.H Mistry, Achille Dunoyer de Segonzac and Phil Booth. Their names don’t make ring a bell and unfortunately there’s less info available about the background of the band; ‘what began on a laptop in the U.S. and Vietnam found a home in the U.K. and collaborative works’.
Content: The work takes off with a song mixing elements of Dark-Rock and Chanson. The low timbre of voice, and also the song, will appeal for fans of Nick Cave. The album is diversified, but the influences remain. Some passages are more into minimalism, others have been mixed with Eastern-like reverie (cf. “Imperfect Love”) while the title song is accomplished with epic arrangements. The last song makes me think of a piano ballad and has something Bowie-like.
+ + + : Fritch is a cool discovery and an interesting newcomer. The global atmosphere hanging over this work has something ominous, but the songs reveal something fragile. This album makes me think of music for film-noir. It’s emotional, which is mainly due to the use of real instruments. The opening song “Heat On A Leash” sounds brilliant, but I also recommend listening to “Imperfect Love”.
– – – : Fritch is hard to catch and hard to label; the album needs a few listening, but in the end you’ll have to recognize it’s a great piece of music.
Conclusion: Fritch appears to be the perfect match between Dark-Rock and Chanson; an emotional and dreamy voyage.
Best songs: “Heat On A Leash”, “Imperfect Love”, “Fracture so Easy”.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.