September 22, 2026

enter.me drops new single ‘It’s Only Sex’ via Town And Towers

Black and white artistic expression of a young lady.

enter.me drops new single 'It's Only Sex' via Town And Towers

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Copenhagen-based electronic artist enter.me is back with a new track, “It’s Only Sex“, landing this Friday, November 14, 2025, through Town And Towers Records. The digital-only release leans into coldwave and synthpop territory, and comes accompanied by a video which is set to debut on YouTube on November 24 at 20:00 CET.

The release includes a single version only.

Claus Lindskov Hansen, the mind behind the project, describes the song as a meditation on lust, escape, and psychological warfare. The accompanying video shows soft-focus sensuality clashes against grainy clips of war, nuclear flashes, and fractured faces – a visual overload meant to reflect the unsettling coexistence of pleasure and destruction.

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About enter.me

Claus Lindskov Hansen, the voice and producer behind enter.me, started chasing electronic sound in the mid‑1980s, right after buying his first synth. He co‑founded Bornholm’s first synthpop band soon after. The mission was simple from day one: write songs with hooks that stick and ideas that matter.

Military service in the Danish Royal Life Guards slowed the momentum but didn’t stop it. A 1988 Depeche Mode show in Valby – with Nitzer Ebb opening – pulled him right back in. Later, a fellow soldier introduced him to the harder German lineage of synth culture. EBM, industrial, ambient, and trance took over his last waking hours. Even as he experimented with heavier bass and sharper drum stacks, the softer side stayed intact. Around that time, he also released a self‑produced ambient/new age album.

In 2005, Claus joined forces with Jan Brink to form deZeption, a project that sharpened Denmark’s electronic pop pulse. Their debut album “Human Eyes” (2008) spun out fan favorites like “Puppet” and “No Sense” and led to live shows across Denmark, Norway, and Germany. When the group split in 2011, Claus rebuilt his workflow. He dropped the hardware maze, moved fully in‑the‑box, and refined a software-first setup for writing, production, and sound design.

Musically you hear pounding kicks and motor‑driven basslines in enter.me nodding to Front 242, Nitzer Ebb, and And One. Then comes melody touched by New Order, Depeche Mode, Ultravox, Human League, and Tears for Fears.

Claus spent 14 years in the Danish Armed Forces, including deployment in Bosnia. He later worked in rehabilitation and now teaches in healthcare. With a lifelong pull toward psychology, spirituality, and self-discovery, and the lyrical map of enter.me starts to make sense: inner conflict, resilience, desire, systems, politics, vulnerability, grey zones.

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