April 13, 2024

Damage Control – Hypernoia The Remixes (Album – Rarefraction Records)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: EBM.

Format: Digital, CD + download card.

Background/Info: Three years after the successful debut album “Ultranoia” , the international collective Damage Control strikes back with an album featuring ten remixes. Nine songs from “Ultranoia” have been remixed by different artists. Chris Peterson has been again in charge of the mixing and mastering. The download card features one extra remix.

Content: The different remixes and collaborations resulted in a varied work, which remains driven by sophisticated EBM reminding me of FLA, Skinny Puppy and related bands. Remixes were accomplished by Craig Saunders, Phil Western, Gin Devo, Tom Slug, Slighter, Manufacture, Ehsan Gelsi, Sirus and Markus App (2 remixes). Some edits are pure remixes while others have been made together with Damage Control.

+ + + : “Hypernoia” is a cool addition to “Ultranoia”. I definitely prefer the ‘regular’ album, which remains a true masterpiece, but this album reveals a great remix of “Reasons” Phil Western, transposing the original song into a Trance-Body cut. I also like the “Trauma”-remix in collaboration with Markus App, which stands for intelligent EBM. “Hell’s Gate” has been also remixed in a cool and surprising Ambient edit by Ehsan Gelsi. And I also have to mention the dubby “Sirus Remix” of “Hate Crime”.

– – – : Remixes are a cool bonus to the “Ultranoia”-album, but the original songs definitely remain the best ones!

Conclusion: If you don’t know Damage Control, you better first listen to “Ultranoia” and then “Hypernoia”.

Best songs: “Reasons – Phil Western Remix”, “Trauma – Damage Control vs. Markus App Remix”, “Hell’s Gate – Ehsan Gelsi Remix”.  

Rate: 7½.

Artist: www.damagecontrolofficial.com / www.facebook.com/damagecontrol

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights