Alphaxone & Protou – Back To Beyond (Album – Cryo Chamber)

Genre/Influences: Cinematographic, Dark-Ambient, Experimental.

Format: Digital, CD.

Background/Info: “Back To Beyond” is the second album composed as a collaboration between Iranian Mehdi Saleh (Alphaxone) and Ukrainian Sasha Cats (ProtoU). The album has been released four years after “Stardust”, both artists also have worked with countless other artists while releasing their own solo-albums.

Content: I experienced “Stardust” rather as a soundscape while the new work sounds more diversified. It remains a dark Cinematic journey carried by obscure tones, buzzing sound waves and field recordings, but I also noticed droning effects and Electronic sound manipulations reflecting a true minimal approach right at the final part of the work.

+ + + : Both artists became experienced musicians who’re used to working with other artists and especially label mates. There’s a true symbiosis between both sound universes, but I think this album goes much further than “Stardust”. It’s different and incomparable, but I prefer this album’s diversity. I like the surprising minimalistic sound treatments running through “Myriad Disguises”, which sounds like an unexpected finale. Another great cut is “Dreams Of Solace” carried by drone effects and repetitive sequences.

– – – : Collaborative efforts between label mates resulting in albums make the particularity of Cryo Chamber, but there isn’t always a true chemistry. It sounds like there’s something special between Alphaxone and ProtoU so move on working together guys instead of other collaborations.

Conclusion: This album makes me think of a dark and contemporary approach of Wim Wenders.

Best songs: “Myriad Disguises”, “Dreams Of Solace”, “Future Underground”, “Through The Golden Dust”.

Rate: 8.

Artists: www.facebook.com/alphaxone / www.facebook.com/protoudrone

Label: www.cryochamberlabel.com / www.facebook.com/CryoChamber

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.