Statiqbloom – Asphyxia (CD Album – Metropolis Records)

Genre/Influences: Industrial, EBM.
Background/Info: Honestly, I can’t remember to have ever heard of Statiqbloom before. They released a few albums before on Translation Loss , but “Asphyxia” will probably become the real start for Statiqbloom.
Content: “Asphyxia” definitely deals with a post-industrial sound, getting us back to the 90s and reminding me of bands such as Mentallo & The Fixer, Revolting Cocks, but especially Yelworc for the haunting atmospheres. The songs are recovered with a dense and hostile dark layer. It all feels like danger coming really close.
+ + + : I’ve been deeply impressed by “Asphyxia”. The compositions aren’t innovative, but the writing is intelligent and sophisticated. There’s a great mix between 80s and especially 90s electronics at one side and a personal and more contemporary approach at the other side. The industrial sound treatments create a perfect match with hostile electro atmospheres. This reminds me to Yelworc, which I’m still considering as one of the absolute ‘masters’ when it comes to create a tormenting dark-electro/EBM sphere. Just pay attention for excelling cuts such as “Eight Hearts Eight Spikes” and “Figure Behind The Door”, but also for the more EBM driven “Painted Red”.
– – – : The album features 9 songs and that’s a pity because the final track is a rather disappointing song… Serious now, I would have preferred to get a few extra songs, but you don’t hear me complaining.
Conclusion: Statiqbloom definitely sounds as the latest promising formation from the Metropolis stable! “Asphyxia” left me rather breathless…
Best songs: “Eight Hearts Eight Spikes”, “Figure Behind The Door”, “Painted Red”, “Possession”, “Until Oblivion”.
Rate: (8½).
Artist: www.facebook.com/statiqbloom
Label: www.metropolis–records.com / www.facebook.com/MetropolisRecords Read the news on ‘Asphyxia’.
About Statiqbloom
Statiqbloom is the dark industrial project of American artist Fade Kainer, based in Brooklyn, New York. Several releases appeared on Translation Loss before Kainer brought the project to Metropolis Records for “Asphyxia”. Denman C. Anderson joined the line-up between 2016 and 2020.
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I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

