Wet Nurse – Thanatosis (CD Album – Tumor)

Genre/Influences: Industrial, death-industrial, power-electronics, cinematographic.

Background/Info: Canadian artist Paul Kinasevych set up Wet Nurse in 2012. While both debut albums got released by his own label (cf. Male Activity) he joined Malignant Records/Tumor to release his next full lengths. “Thanatosis” is the fourth album by Wet Nurse.

Content: The early work of Wet Nurse was driven by power-electronics, but quite progressively the compositions became ‘softer’ and more cinematographic like. Nevertheless “Thanatosis” is not what I would call a pure cinematic production rather than a mix of heavy, blasting sounds, an impressive arsenal of noise manipulations, a few drones and shouting vocals. It creates an offspring between death-industrial, power-electronics and cinematographic music.

+ + + : This album resulted from the intelligence of a truly noise-architect. An impressive noise-canvas has been utilized to create this sonic mayhem. It all feels like controlled power! The dark atmospheric side of the album has a kind of disturbing effect and that’s precisely what I expect from cinematographic productions. “Stitched Nerve Drapery” is a great exposure from this dark side and has certain visual strength. I also want to mention “The End Of A Rope” for the terrific industrial sound treatments and multiple sound effects.

– – – : This is the kind of production, which is not that accessible for a wider audience. It’s an extreme record and you have to be familiar with the label roster to enjoy Wet Nurse.

Conclusion: “Thanatosis” sounds like an appropriate title for this sonic mayhem. It has something sick and perverted, which will totally satisfy the lovers of extreme sonic experiments.

Best songs: “Stitched Nerve Drapery”, “The End Of A Rope”, “Sexual Vertigo”.

Rate: (7).

Artist: www .facebook .com /wetnurseperiod

Label: www .malingnantrecords .com / www .facebook .com /malignantrecords

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.