The Black Capes – Lullabies For The Dead (Album – darkTunes Music Group)
Genre/Influences: Gothic, goth-rock.
Format: Digital, CD.
Background/Info: Greek formation The Black Capes saw the light of day in 2016. The band’s debut album “All These Monsters” released in 2017 by darkTunes got a very positive response. The band did successful live performances and tours, and are now back on track unleashing their second opus.
Content: “Lullabies For The Dead” moves on there where the previous album stopped. This band knows exactly how to compose a perfect mix between gothic music –often reminiscent of 80s formations such as The Mission and The Sisters Of Mercy, and dark-rock. I think it’s not a coincidence that they bring the legendary “Rain”-song from The Cult back to life. The work features 10 songs, which are characterized by carrying choruses resulting in a few cool songs.
+ + + : The Black Capes don’t really strive for innovation, but simply deal with the music they like. You can feel some passion for 80s cold-wave music, but they simply adapted this influence into their very own interpretation, which is a little bit more rock driven. I especially like the guitar injecting this typical dark mood. The cover version of “Rain” is an excellent song, but I also have to mention “The Blood Is Life” and especially “Gotham”. This last mentioned song is pure passion!
– – – : You don’t exactly listen to The Black Capes for their originality! But if you’re nostalgic of the dark/cold-wave years you for sure gone like this work. I think the production of the vocals can be just a bit better, maybe just a more powerful way of singing.
Conclusion: The Black Capes confirm the strong potential showed at their debut work and will definitely increase their popularity.
Best songs: “Gotham”, “Rain”, “The Blood Is Life”, “Welcome To The Necroclub”.
Rate: (7).
Artist: www.facebook.com/Theblackcapes
Label: www.darktunes.com / www.facebook.com/darkTunesMusic
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
