Genre/Influences: Electro-Ambient, IDM, Industrial, Cinematographic, Minimal-Electro.
Format: Digital, 3CD Box.
Background/Info: Mirko Hentrich set up Spherical Disrupted in 1995. He later on became co-owner of Audiophob and moved on releasing new works as Spherical Disrupted, but also still with side-projects like Sick En For and Capsular. “25” is celebration record featuring a new album plus two more discs with remixes and songs that are now released on CD for the very first time.
Content: The first disc “25 (Future)” features 11 new songs, which clearly expose the project’s diversity. There’s a constant mix between genres; moving from freaky Ambient-Electronics to Klinik-al Electro sequences to cinematographic passages to pure Electro-Minimalism to some groovy parts. The major innovation consists of 2 songs featuring guest singers. Tino Claus (TC75, Amnistia, MRDTC) and Jana Komaritsa (Darkrad) have been invited to join in.
The two other discs are titled, “25 (The Past)” bring us back to 25 years of history although a few songs have been previously unreleased (mainly live versions). You’ll also (re)discover songs spherical disrupted has remixed for other artists such as Bloody Dead And Sexy, Experimnetum Crucis, Yipotash, The Trial, Kiew, Mimetic Dancing, The_Empath, Xabec, Mandelbrot and Still Patient?
+ + + : The new album, which stands for “Future” reveals Mirko Hentrich in a good light. The work is accomplished with an impressive arsenal of influences, which I think is pretty characteristic for this project. Spherical Disrupted is not easy to seize and often resulted from a true sonic symbiosis of multiple ideas. I like the haunting atmospheres and icy, ‘klinik-al’ sequences emerging at “Basalt” featuring Tino Claus. “Transneptunian Objects” featuring whispering vocals by Jana Komaritsa is another successful collaboration. I here especially like the atmospheric side of the song. The remixes by Disharmony and especially Wesenberg at the end of the first disc are worthy of examination.
The 2nd disc features several attention grabbers, but here again I like the variety of influences. From the cold-like and Industrial sounding “Monasteria” to the metallic sound treatments of “Yderligere Oplysninger”, this disc brings some essential –although often forgotten and unknown, pieces back to life. I’m especially fascinated by the icy, analogue sound treatments supported with an anguished sphere.
The 3rd disc is more diversified and that’s because of the many bands Spherical Disrupted has accomplished remixes for. If there’s one song I would recommend (re)discovering is the Cinematographic rework of Mimetic Dancing’s “Small Spherical”.
– – – : Referring to the new tracks from this album I have to admit I already heard more convincing works from Spherical Disrupted. But as a celebration release this album is a real must have as it’s not a ‘best of’, but a true gift for the fans.
Conclusion: Spherical Disrupted probably is the kind of project you can label as ‘difficult music’ and that’s maybe the reason why this German artist never got a wider recognition. I can only express my respect for 25 years of great music!
Best songs: “Basalt”, “25”, “Basalt – Wesenberg Rework” + “Monasteria”, “Yderligere Oplysninger”, “Cavity block (Not The :W: Master)”, “Solar Luminosity – Terminal Mix” + Mimetic Dancing: “Small Spherical – Extended Nova Stella Mix”, “Kiew: “Zentrifuge – Inertia Mix”.
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