June 20, 2024

Sômbre – Linsay (CD Album – Uproar For Veneration Records)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Dark-rock,

Background/Info: Sômbre is a French duo set up in 2011 by Cédric Manine (vocals) and Axel Wursthorn (composer and producer). After having released a first album (cf. “Half Light”) in 2012 ion Str8Line Records the band is now back on track unleashing a new opus. Sômbre claims to be inspired by 80s cold-wave and rock music.

Content: “Linsay” sounds like the influences of the band. There’s a fusion between typical 80s cold-wave and post-punk elements at one side and a more traditional dark-rock touch at the other side. The guitar is the main instrument in the writing process, but I also noticed electronic sequences. The tracklist mixes ‘harder’- and ‘softer’ cuts, like moving from the dancefloor into pure, dark reverie. The last song is a cover version of Kim Wilde’s hit “Kids In America”.

+ + + : The best passages are definitely taking us back to the 80s influences. The darker side of the work is the most exciting one. I’m referring to “Black Skin Twins” and the more electro-like “ALF”. I also have to mention the title song for the bewitching male – female vocals’ duo and the dark reverie emerging at the surface. The artistic digipak is a nice little bonus.

– – – : The cover version of “Kids In America” is very personal and even original, but unfortunately less convincing. I’m also not convinced by the most ‘rock’-driven songs. I think Sômbre are their best when getting back to the 80s cold-wave movement.

Conclusion: The album is not that bad, but I think this band has more potential than what I’ve heard so far. So the best is yet to come…

Best songs: “ALF”, “Linsay”, “Black Skin Twins”.

Rate: (6).

Artist: www.sombreofficial.com / www.facebook.com/thebandsombre

Label: www.facebook.com/UFVRECORDS

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights