Background/Info: Roman Leykam has already been active for numerous years now and has released considerable number of productions and split-albums on Frank Mark Arts. He strikes back with a new solo-work that has been composed, mixed, mastered and produced by him.
Content: Roman Leykam likes to play and experiment with guitar. “Essence” has been composed with acoustic guitar. The artist reveals (once again) himself as an experimentalist creating a sort of abstract sound, which also becomes pretty atmospheric. “Essence” is a weird trip featuring 17 tracks.
+ + + : Roman Leykam clearly is an artist like no other. This man gives you the impression to live and compose on another music planet. He’s not the only artist dealing with this kind of abstract music, but it always remains something particular and clearly different. I like the atmospheric side of his work, which could be a great match with a visual artwork. It sounds like his transforming images into music. It also feels a bit like an imaginary world of isolation. Notice by the way the album has been delivered in a beautiful and somewhat hypnotic digipak format.
– – – : “Essence” sounds experimental and therefore not exactly the kind of work, which is easy to listen to. I think it needs a visual accompaniment creating a kind of ‘total concept’ while the music on its own feels hard to catch.
Conclusion: Roman Leykam plays the guitar in a fantasy world where he feels alone and miles away from the world we’re living in. It could be a kind of meditation, but definitely a music universe of loneliness. I’m sure it might be pretty intriguing for a selected number of listeners.
Best songs: “Uncomplaining Patience”, “Subterranean River”.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.