April 12, 2024

Notstandskomitee / THX 1971 – Elektrofusion (Album – Minimalkombinat)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Electro, Electro-Wave, Experimental.

Format: Digital, Vinyl.

Background/Info: “Elektrofusion” is a split album between famous German artist Notstandskomitee (aka Malte Steiner) and the less familiar German project THX 1971 (driven by Thomas Meier-Goldau).

Content: Notstandskomitee doesn’t need any further introduction for lovers of Minimal/Experimental-Electro. Malte Steiner composed 5 tracks, which are immediately getting the listener into an intimate, minimal and robotic Electronic music universe. The last track is the darkest one and still features space-like sound treatments. 

THX 1971 sounds also minimal, but definitely more ‘pop’ orientated. The 6 songs are bringing us back to 80s nostalgia and are driven by robotic vocals.

+ + + : I’m not that often fond of split albums, but this is one I highly recommend. It’s an opportunity to get back to Notstandskomitee, which according to me remains an essential artist in the history of Electronic music while it’s also a way to discover a new and talented artist THX. Nodstandskomitee didn’t take me by surprise, but it sounds good to hear new stuff from this artist. Both last tracks are brilliant for their sound treatments. THX 1971 sounds like a good surprise; melodic, minimal and danceable. This is great vintage electronic music.

– – – : I only wish to hear more music from THX 1971 and new stuff by Notstandskomitee.

Conclusion: Robotic Electronic music with attitude; original old-styled music by two talented artists.

Best songs: “Testgelände”, “Totmannschalter” + “Das System Gewinnt Immer”, “2021”.

Rate: 8½.

Artists: www.block4.com / www.facebook.com/Notstandskomitee-128400571965 / https://thx1971.hpage.comwww.facebook.com/thx1971

Label: www.facebook.com/groups/2208128859484635

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights