Background/Info: Italian musician Giuseppe Verticchio has been releasing productions under the Nimh moniker for more than twenty years. He collaborated with numerous artists and was involved with side-projects as well. He’s now back on track unleashing six new songs.
Content: “Iron And Ice” sounds like a sonic meeting between different influences and also different cultures. Verticchio composes his songs with a mix of authentic, acoustic, instruments on one side and electronic gear plus field recordings on the other. The songs reflect Eastern atmospheres injecting a mysterious touch to the work. The tracks are elaborate and progressively evolving.
+ + + : Giuseppe Verticchio is a respected musician who deserves wider recognition for his art. This new opus confirms the impressive skills of the musician who’s playing next to his familiar guitar and numerous ethnical instruments. He created an impressive and styled sonic canvas accentuated by overwhelming, Eastern, sound atmospheres. The music has a strong visual appeal which will make you dream away and visit perfumed and colorful distant countries of the Middle East. It’s an intimate journey built up with delicacy and ending into an uplifting effect. I especially recommend the opening song “Following The Circle” and “Grey Zone” although there’s something to say about each track.
– – – : The last cut (title song) which also is the longest one unfortunately appears to be the less convincing one.
Conclusion: Nimh is a project in constant evolution and improving most aspects and details of the production on every new work. “Iron And Ice” is a sublime musical journey.
Best songs: “Following The Circle”, “Grey Zone”, “Mojo’s Prophecy”, “Four Lands”
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.