Distortion Six – Norze (Digital Album – Ant-Zen)
Genre/Influences: Industrial, power-noise, industrial-techno.
Background/Info: Norwegian sonic terrorist Nichlas Schermann is back on track with his newest album entitled “Norze”. A few tracks have been accomplished by the help of guests Exome and Christoffer Skogen.
Content: “Norze” moves on where the previous albums stopped; a continuation of harsh industrial and power-noise with a dark industrial-techno touch on top. There’s a slow progression in the tracklist, which takes off a rather industrial/power-noise way and moves on into hard-banging industrial-techno. The input of Lorenzo Arcari aka Exome is quite important as he got featured on 4 songs; mainly the songs with heavy, distorted vocals.
+ + + : Distortion Six remains one of those artist holding on the power-noise style, but I like the way he mixes it with good-old industrial elements and techno structures. The industrial-techno tracks, which are mainly appearing at the second part of the work are my favorite ones. It sounds rough, unpolished, a bit transcendental and definitely the right stuff to get dancefloors on fire. The addition of enraged vocal parts on a few cuts is more than simply a little bonus; it rocks!
– – – : Some songs from the first part of the work can’t totally convince me for being a bit too stereotypical and old-styled.
Conclusion: Distortion Six is a project bringing the best of power-noise together with industrial-techno; it feels like a sonic bridge and –bomb between the past and the present.
Best songs: “Ritual feat. Exome & Christoffer Skogen”, “ Paranoid feat. Exome”, “Boneless”, “Neck feat. Exome”, “Witcher feat. Exome”.
Rate: (8).
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
