Cure For Youth announce debut album ‘Synthetic World’
Los Angeles post-punk band Cure For Youth has announced its debut album “Synthetic World,” led by the single “New Rose Bloom” and its video.
Cure For Youth
Los Angeles post-punk band Cure For Youth has announced its debut album, “Synthetic World”, led by the single “New Rose Bloom” and an accompanying video released July 18, 2026. A release date for the album has not been announced.
Cure For Youth is a Los Angeles quartet: Scott Savarie plays bass and sings, Nicolas Sturz plays drums, Connor McKenna plays guitar and Catarina Teles plays synthesizer. “Synthetic World” runs twelve songs across thirty-five minutes. Alex Jacobelli recorded and mixed the album at Sunsick Studios; Andrew Oswald handled mastering. A full tracklist has not been published.
‘New Rose Bloom’ video and lyrics
The video for “New Rose Bloom” moves through Los Angeles in short, uneven cuts: sidewalks, storefronts, passing cars, domestic footage and protest scenes appear without a fixed hierarchy between them. The lyrics describe a narrator caught in a repeating cycle of survival, disappointment, aging and loss, with brief moments of renewal that lead back to the same pattern.
“New Rose Bloom” and “Synthetic World” are available to stream and order on Bandcamp.
About Cure For Youth
Cure For Youth is a post-punk quartet from Los Angeles built around Scott Savarie on bass and vocals, Nicolas Sturz on drums, Connor McKenna on guitar and Catarina Teles on synthesizer. The band released the two-track EP “Life Without Loss,” featuring the title track and “Silence,” on June 20, 2024, through Bandcamp.
“New Rose Bloom,” released July 18, 2026, is the first single from the band’s debut full-length, “Synthetic World.” The album was recorded and mixed by Alex Jacobelli at Sunsick Studios and mastered by Andrew Oswald, and is set to run twelve songs over thirty-five minutes. A release date has not yet been confirmed. The single and its video mark the next step in Cure For Youth’s catalogue since the 2024 EP.
Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
