Combichrist – Cmbcrst (Double album-Digital/CD/Vinyl/Cassette – Out Of Line)

Five years after the last album, “Cmbcrst” stands for a fierce and brutal experience. This is pure Industrial/Electro-Metal with a perfect balance between guitar sounds and menacing electronic sequences carried by menacing bass lines. Some songs are truly furious as if possessed by an imaginary sonic devil. The devil is represented by the hellish vocals of front man Andy LaPlegua. The first disc sounds incredible, while the additional album takes a very Cinematic approach and therefore sounds completely different. (Rate:9)
Listen to “Only Death Is Immortal”:
Read the news on ‘Cmbcrst’.
About Combichrist
Combichrist is an aggrotech and industrial metal project formed in Atlanta, Georgia in 2003 by Norwegian vocalist Andy LaPlegua. LaPlegua had already worked with Icon of Coil, Panzer AG, Scandy and Scandinavian Cock. The studio project is centered on LaPlegua, with a changing live lineup. Current listed members are Andy LaPlegua, Eric13, Elliott Berlin and Jamie Cronander.
The project’s first material developed from the track “Thanx to my Buddies”, originally written under the name D.r.i.v.E. The name later changed to Hudlager and then Combichrist before the debut album “The Joy of Gunz” appeared on Out Of Line in 2003. It was followed by “Kiss The Blade”, also in 2003, “Blut Royale” and “Sex, Drogen Und Industrial” in 2004, and “Get Your Body Beat” in 2006.
The next studio albums included “Everybody Hates You” in 2005, “What the Fuck Is Wrong with You People?” in 2007, “Today We Are All Demons” in 2009, “Making Monsters” in 2010, “No Redemption” in 2013, “We Love You” in 2014, “This Is Where Death Begins” in 2016, “One Fire” in 2019 and “Cmbcrst” in 2024. Note that “No Redemption” was released as the official “DmC: Devil May Cry” soundtrack.
“Cmbcrst”, reviewed here, is Combichrist’s first studio album in five years.
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I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

