Beyond The Ghost – The Desolation Age (Album – Cryo Chamber)
Genre/Influences: Dark-Cinematographic.
Format: Digital, CD.
Background/Info: Pierre Laplace strikes back with the second chapter of his trilogy about the “Europe Series”. He previously this year released an album about Berlin in the year 2060 and now travels to London in the year 2061 where ‘ultra-nationalist powers are fighting against each other, trying to conquer more territory and assert their supremacy’.
Content: The album takes off in a rather surprising way revealing a somewhat Kraftwerk-ian sequences surrounded by dark sound vibes and accentuated by strings. It reveals a different approach, which I would label as ‘natural evolution’ in sound, featuring explicit Electro sequences with the familiar dark atmosphere on top. Some passages feature piano like arrangements, but still the icy sound of a trumpet –which was also noticeable at “The Last Resort”.
+ + + : I already enjoyed the previous album of this French artist who simply confirms at “The Desolation Ege”. The futuristic, dystopian theme has been perfectly adapted into a production of dark reverie mixed with more chilling passages. I especially enjoyed the obscure synth parts resulting in a true masterpiece entitled “Pale Conquerors”. Another noticeable track is “Quietus” for its slow, crescendo progression. Last, but not least I also want to mention “Slow Motion Downfall” for the low resonating piano tune and the icy, trumpet part.
– – – : The last track sounds a bit as an antithesis to great album.
Conclusion: This trilogy still has its final chapter to get revealed, but so far, it’s a brilliant production.
Best songs: “Pale Conquerors”, “Quietus”, “Slow Motion Downfall”, “The Desolation Age”, “Exodus”.
Rate: 8½.
Artist: www.facebook.com/beyondtheghost
Label: www.cryochamberlabel.com / www.facebook.com/CryoChamber
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.
