Genre/Influences: Dark-techno.
Background/Info: Edgar Ariza aka Ascorbite is a Swedish producer based in Malmö and owner of Corseque Records (label to release his own material since 2014). After numerous EP’s “Macroscopic Framework” is the artist’s debut full length released as a double vinyl and featuring 10 songs.
Content: Ascorbite is clearly driven by heavy techno vibes. The tracks are carried by extremely heavy, pumping beats while icy sequences are regularly joining in. You’ll also notice some fragmented voices here and there.
+ + + : Ascorbite is clearly not producing the usual cheap techno music cliché, but this production has something dark- and terror like. The link with industrial music is not far away and I’m sure this is the kind of stuff that will set the industrial dancefloor on fire. “Second Range Of Vision” has something tormenting although it remains ultra-danceble stuff. I especially like the icy sequences and manipulated sound sequences injecting this ‘dark’ touch to the work while the devastating kicks will drive you mad.
– – – : The sound formula is quite repetitive so after a while the tracks are a bit predictable. Both last tracks can’t convince me at all.
Conclusion: There’s no longer a reason to doubt about the proximity between industrial- and techno music and if you’re still skeptical, just give this album a try and you’ll have to agree both genres are pretty close.
Best songs: “Second Range Of Vision”, “Unbleached”, “Disaffection”, “Devour Affliction”.
Rate: (7).
Artist & Label: www.facebook.com/ascorbiteofficial / www.facebook.com/corsequerecords
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 2 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.
