Genre/Influences: Electro-pop. Background/Info: Cris Frickenschmidt and Henning Hammoor released 3 albums under the Alphamay moniker…
Genre/Influences: Electro-pop.
Background/Info: Cris Frickenschmidt and Henning Hammoor released 3 albums under the Alphamay moniker in between 2015 and 2017. All of the albums were released on Timezone while they now strike back with 5 new cuts released in their homeland on Battersea Electric.
Content: Alphamay so far perfectly merged electro-pop and EBM elements together. “The Mellow Collie” is a deeper exploration of electro-pop fields revealing an unpolished production carried by low, resonating bass sounds. Melodic passages reminds me now and then of Wolfsheim. Both of the last songs are a little bit more refined, intimate and more refined.
+ + + : “The Mellow Collie” is not exactly the most typical electro-pop format. The sound is definitely too rough and unpolished, which makes the characteristic of the production. We might say that the German duo has created their own electro-pop format. Both last cuts are more elaborated and sensitive. “Love Must Die” is a cool song while “Wintertime” is a beautiful song accomplished with some orchestral arrangements. Last, but not least I also want to say a word about the great, artistic DVD-package of this EP.
– – – : The unpolished production is one of the main characteristics, maybe making the originality of this band, but I’m personally missing the skills of a real producer here.
Conclusion: Alphamay is a band in constant motion. They have lost the EBM elements to produce a pure, but rough electro-pop music. I’m not entirely convinced, but it might be a basis to move on with.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.