Genre/Influences: EBM, Body-Pop. Format: Digital. Background/Info: This new EP is the third one taken from…
Genre/Influences: EBM, Body-Pop.
Format: Digital.
Background/Info: This new EP is the third one taken from AD:Key’s sixth album “Resonanz” released last year. The work features five edits of the title track plus 2 remixes of another album song “Schlachtfeld Der Liebe”.
Content: “Alles Was Ich Will” is quite characteristic for the “Resonanz”-album; still driven by good-old and well-crafted EBM, but with some extra Electro-Pop elements on top. There’s a “Single Mix” and “Tanz Mix” plus remixes by Final Selection, Implant and less familiar X10ded. “Schlachtfeld Der Liebe” has been adopted into a “Single Edit” as well plus an alternative and totally reworked edit.
+ + + : I have to admit the title song was not exactly my favorite cut from the album, but it remains AD:Key-stuff: danceable and revealing an intelligent retro-EBM style while the German vocals by Rene and Andrea Nowotny inject a special touch to the work. The “Single Mix” sounds cool, but especially the club-orientated remix by Implant is the true attention grabber. There’s also something to say about the down-tempo, evasive remix by Final Selection. And X10ded injected some extra ‘robotic’ elements to the song, which are cool as well.
– – – : “Schlachtfeld Der Liebe” doesn’t really add a true bonus to the EP. The song didn’t catch my attention on the album and both new edits aren’t convincing.
Conclusion: This EP is an item for the fans of the band, but definitely not the record I would recommend to discover this great formation.
Best songs: “Alles Was Ich Will – Club Mix by Implant”, “Alles Was Ich Will – Forever Sentimental Mix by Final Selection”, “Alles Was Ich Will – Single Mix”.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.