Genre/Influences: Dark-Electro. Format: Digital, CD. Background/Info: Colombian duo Adeonesis last year struck back with their…
Genre/Influences: Dark-Electro.
Format: Digital, CD.
Background/Info: Colombian duo Adeonesis last year struck back with their third full length album. Driven by the brothers Wilger and Ferry (who’s also involved in his solo-project Nohycit) this band doesn’t release a new work on a regular basis. There’s a hiatus of four years between each full length.
Content: Adeonesis are moving on the path of darkest Electro fields. The songs are driven by pumping rhythms and supported by overwhelming leads. The songs are sung in their Mother tongue and are extremely rough and hard to understand. A few tracks feature female vocals (backings) injecting a somewhat angelic touch to the work. One of the songs is featuring Stahlnebel & Black Selket.
+ + + : Adeonesis stands for (h)el(l)ectro although the female vocals featured at a few tracks are injecting an unexpected, classical and graceful touch. It might sound like a contract, but finally appears to be complementary with the harshness of the duo. This work is not just into merciless power, but still revealing more refined passages accomplished with subtle arrangements. I was impressed by some of the leads hanging over the composition.
– – – : The sound formula is somewhat repetitive and becomes a little bit predictable after a while. That’s a point I already noticed from previous albums.
Conclusion: This album comes directly from hell and will for sure please the darkest Electro souls.
Best songs: “Psychophony”, “Oblivion”, “Sendero Nocturno”.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.