Genre/Influences: Dark-electro. Format: Digital, CD. Background/Info: Bolivian solo-project Nohycit last year stroke back with a…
Genre/Influences: Dark-electro.
Format: Digital, CD.
Background/Info:
Bolivian
solo-project Nohycit last year stroke back with a second full length album. Set
up by Ferry
Humerez Rios (together with his brother
still involved with Adeonesis) the album “Anomico” (2018) was an astonishing
official debut.
Content
: “En Exilio” moves on there where the previous
album stopped. The influences and format haven’t really changed. Nohycit sounds
like an electronic power-bomb. The songs are driven by hard-danceable kicks and
recovered with awesome leads. The vocals are still sung in Spanish expressing
rage and aggression. A few songs are featuring less familiar guest artists
Blackgito and Neon Roads.
This
opus features 11 tracks plus 4 remixes by Stahlnebel & Black Selket,
Bloodconnk7ion, Adeonesis and Nigen.
+
+ + :
I could make a copy-paste from the “Anomico” review, but the main
difficulty and challenge for Nohycit was without a shadow of a doubt to release
a new qualitative album. All I can say is that ‘Ferry Nohycit’ totally
succeeded in unleashing a new accomplished piece of music. This music is
powerful, danceable, somewhat plagued (but that’s what we like listening to
dark electronics) and featuring multiple great songs. I especially like the
kind of hopping sequences, which together with the rhythmic creates an
irresistible groove. “Submission” is my favorite song from the tracklist, but I
also have to mention “Abismo”.
–
– – :
I was a bit disappointed by the remixes, which don’t really add an extra
to the work. It’s maybe not a coincidence the Adeonesis remix is the only cool
one!
Conclusion:
Nohycit
confirms the potential revealed at its debut album. This project has enough
talent to conquer a wider dark-electro audience!
Best
songs: “Sumission”, “Abismo”, “En Exilio”, “Mi Refuguio”.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.