Sara Noxx prepares three-part opus ‘Onyxx’, ‘Polluxx’ and ‘Detoxx’ as new triptych

Sara Noxx prepares three-part opus 'Onyxx', 'Polluxx' and 'Detoxx' as new triptych
German dark electronic artist Sara Noxx has announced an extensive new project described as her Opus Magnum, a three-part triptych under the titles “Onyxx”, “Polluxx” and “Detoxx”. The cycle has been developed over several years of studio work and is now in its final fine-tuning phase for release via Prussia Records / ZYX.
No release dates or formats have been confirmed yet.
About Sara Noxx
Berlin-based musician Sara Noxx first appeared in 1997, winning the Zillo band contest and releasing the debut single “Society”, followed by her first studio album “Noxxious” the same year. In 1998 she issued the album “Paradoxx”.
The 2001 album “Exxtasy” was followed by the 2003 album “Equinoxx” and the single “Colder & Colder“. In the same year she released the instrumental album “Nonvoxx” and her first poetry collection “Lyrixx”.
In 2007 she launched the side project Essexx with Sven Wolff (Patenbrigade: Wolff) and released the album “Bridges” For her ten-year solo anniversary in 2008 she released the three-disc best-of “XX-Ray”. The single “Earth Song” was recorded with Peter Spilles of Project Pitchfork.
With the 2009 studio album “Intoxxication” she focused on more collaborations, namely around the single “Superior Love”. “The Bright Side” featured Limahl with remixes by acts including Real Life and Girls Under Glass, and “The Dark Side” featuring 18 Summers with contributions from bands such as Illuminate and In My Rosary. Between 2011 and 2016 she released a series of duets, including “Where the Wild Roses Grow” and “Jeanny” with forensic biologist Mark Benecke, and “Weg zurück”, “Falling” and “Sie wusste mehr” with Oswald Henke of Goethes Erben. The “Entre Quatre Yeuxx” album followed in 2015.
In early 2025 she founded Epixx Studios where she worked on the newly announced triptych “Onyxx”, “Polluxx” and “Detoxx”.
Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.

