Other-ed – Until All Are Free (Digital/CD Album – Scarsquare Recordings)

French artist Laurent Chopard has been involved in several musical projects, one of which is Other-Ed. Last year, he released the project’s second album on his own label.
Described as ‘Post-Industrial Synth-Pop’, the sound aligns well with this definition. “Until All Are Free” features ten tracks built on vintage Electro-Pop and Electro-Wave structures. The strong 80s influence shines through its cold, icy synths, lending the music an Industrial edge. As the album progresses, harder EBM elements gradually emerge, adding depth and intensity.
Chopard’s vocal timbre bears a resemblance to Ian Curtis, further amplifying the album’s 80s-inspired atmosphere. While it lacks a standout hit, “Until All Are Free” delivers a solid sequence of compelling and well-crafted songs. A project well worth keeping an eye on. (Rating:7½).
Listen to “Shadow Self Serenade”:
About Other-Ed
Other-Ed is the post-industrial synth-pop project of French musician Laurent Chopard, who also records as Laur and Laur Veglam. The project’s early output includes the EP “Disruptive Synthetic” (2020) and the single “No Gods No Masters But Glitter” (2022), both self-released.
Chopard’s debut album, “Sentient”, followed on Scarsquare Recordings in 2021. “Until All Are Free”, the project’s second album, was released on the same label on October 31, 2024.
Support Side-Line
More people read Side-Line than ever, and there is still no paywall and no advertising. Readers pay for it instead - from $5 a month.
Why we ask
Advertising revenues across the media are falling fast. Unlike many news organisations we have not put up a paywall, and we refuse to add annoying advertising, so we need to ask for your help. Side-Line’s independent journalism takes time, money and hard work to produce, and we do it to push the artists we like, who are equally fighting to survive.
Handled by PayPal.

I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.
