December 14, 2024

Mulo Muto & Black/Lava – Worlds Corroding Under Xenomorphs’ Ejaculations (Album – URB Sounds / Marbre Negre / Italian Extreme Underground)

0
Mulo-Muto-Black-Lava
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Industrial-Ambient.

Format: Digital, Cassette.

Background/Info: This album resulted from the common efforts between Swiss Mulo Muto-duo (featuring Joel Gilardini and Attila Folklor) and Italian duo Black/Lava. The album has been introduced as a conceptual release based upon a dystopian world wherein aliens are first observing the humans to next conquer the planet.

Content: There are multiple influences running through this work which sounds however pretty extreme and driven by tormenting, dark, atmospheres. I experienced the tracks as a fusion between Dark-Ambient and Industrial for the main part but also exploring Death-Industrial and even Metal-Doom paths for the rest of the work.

+ + + : I like the constant torment recovering this work which sounds like a red line throughout the listening. The work is a perfect symbiosis between different but related influences; a sonic fusion between heavy Noise manipulations, field recordings, dark electro atmospheres and harsh vocals. There’s also an interesting diversity in the tracklist.

– – – : The last cut maybe sounds as the most atypical one; kind of Metal-Doom injection which is not totally fitting with the global approach of the work.

Conclusion: This is an interesting collaboration between two projects resulting in a disturbing, dark sonic journey.

Best songs: “Deserving Of Your Joyous Misfortunes”, “Cum In My Guts Before I Annihilate You”, “Comfortably Slaying Scream Queens For Matian Breakfast”.

Rate: 8.

Artists: www.facebook.com/MuloMuto / www.facebook.com/BlackLavaNoise

Labels: https://urbsounds.sk / www.facebook.com/urbsounds / www.facebook.com/marbre.negre / www.facebook.com/italiaextreme

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights