October 2, 2024

Hand In Waves – Burn Down In Tears (CD Album – Hand In Waves)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Electro-pop.

Background/Info: Hand In Waves is a German electro-pop project driven by Felix F. I last year discovered this formation by the EP “Hover In Remedy” which revealed some interesting songs. After several digital EP’s Hand In Waves has now unleashed a self-released full length featuring 13 songs. The album has been mastered by Jan Loamfield who made me discover this band through his X-Beats Promotion service.

Content: I already noticed some common elements in the music of this project and the astral electro-pop of Mind.In.A.Box. Well, I think this comparison still makes sense although Hand In Waves hasn’t achieved a cheap emulation. This is cool and intelligent electro-pop music featuring moody atmospheres, cool leads, great sound effects and evasive vocals.

+ + + : If Hand In Waves is a name that still has to conquer the international electro-pop scene I can assure you this album has a real huge potential to fulfill all expectations. The songs are well-crafted, revealing great composing skills and an efficient space-pop sound. The songs have been composed with great leads and cool effects. I also enjoy the melancholic flavor hanging over the album. This is a delicate and refreshing electro-pop work. For so far I can see Hand In Waves has composed new songs for this album instead of putting all EP-track on CD.

– – – : I’m convinced Hand In Waves has the potential to become a real renowned formation. I’m maybe missing some little details in the global production.

Conclusion: If you want to discover an interesting new electro-pop formation dealing with a personal style I can hardly recommend this promising debut album by Hand In Waves.

Best songs: “Tears Become Shards”, “A Place Like Home”, “Frenemy”, “We Die Unborn”, “Dare To Sleep”.

Rate: (7½).

Artist: http://handinwaves.com / www.facebook.com/pg/handinwaves 

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights