April 16, 2024

Frett – The World As A Hologram (Album – Ant-Zen)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Electro-Industrial, Minimal-Electro.

Format: Digital, CD, Vinyl.

Background/Info: Behind Frett ishiding Maciek Frett, a Polish artist who you may know from his involvement with Job Karma and 7JK (a collaboration with Matt Howden from Sieben). He’s also organizing festivals in his homeland.

Content: This album is driven by Electronics, which are now pretty minimal and then into Industrial. The songs are meticulously built up, achieved with multiple effects and vocals alternating spooky- and enraged passages. There’re also a few spoken female vocals injecting a cold and sterile touch to the work. The global sphere supporting this work is dark. One of the most Electronic pieces (cf. “Judge”) reminds me a bit of The Klinik

+ + + : This debut work sounds as a true revelation, but the artist is not a debutant, but an experienced musician. Maciek Frett brought different influences together, creating a perfect electronic osmosis between Industrial-, Experimental-, Minimal- and even Ambient Electronics. The work sounds mainly retro-like, which is mainly because of the sound treatments (analogue equipment has been used). There’s a great dynamic and bombast emerging from the drum sections, creating a cool contrast with the album’s minimal approach. “Isolation” is for sure the absolute masterpiece from this album.

– – – : There’s just one single song that couldn’t convince me and it unfortunately is the last one.

Conclusion: Frett has accomplished a work appealing for all lovers of early Electro-Industrial and Minimal-Electro music, transposing these influences into a refreshing approach.

Best songs: “Isolation”, “Two Cups”, “The Light”, “Trust”.

Rate: (8½).

Artist: www.facebook.com/maciek.frett

Label: www.ant-zen.com / www.facebook.com/antzen.official

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights