Genre/Influences: Electro-Industrial, Minimal-Electro.
Format: Digital, CD, Vinyl.
Background/Info: Behind Frett ishiding Maciek Frett, a Polish artist who you may know from his involvement with Job Karma and 7JK (a collaboration with Matt Howden from Sieben). He’s also organizing festivals in his homeland.
Content: This album is driven by Electronics, which are now pretty minimal and then into Industrial. The songs are meticulously built up, achieved with multiple effects and vocals alternating spooky- and enraged passages. There’re also a few spoken female vocals injecting a cold and sterile touch to the work. The global sphere supporting this work is dark. One of the most Electronic pieces (cf. “Judge”) reminds me a bit of The Klinik.
+ + + : This debut work sounds as a true revelation, but the artist is not a debutant, but an experienced musician. Maciek Frett brought different influences together, creating a perfect electronic osmosis between Industrial-, Experimental-, Minimal- and even Ambient Electronics. The work sounds mainly retro-like, which is mainly because of the sound treatments (analogue equipment has been used). There’s a great dynamic and bombast emerging from the drum sections, creating a cool contrast with the album’s minimal approach. “Isolation” is for sure the absolute masterpiece from this album.
– – – : There’s just one single song that couldn’t convince me and it unfortunately is the last one.
Conclusion: Frett has accomplished a work appealing for all lovers of early Electro-Industrial and Minimal-Electro music, transposing these influences into a refreshing approach.
Best songs: “Isolation”, “Two Cups”, “The Light”, “Trust”.
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