Background/Info: Wrotycz Records has signed this new formation, which rather appears to be a ‘collective’ instead of a ‘band’. Eirikura are hailing from Prussia. This debut work s features 13 songs and has been accomplished by an impressive number of musicians.
Content: This work is an impressive production, which mainly sounds ethereal- and cinematographic like. The main characteristic is the use of multiple authentic instruments played by guest artists. You’ll get the opportunity to hear the magic sounds of a violin, oboe, viola, flute, piano, trumpet, drums… but still different guest singers. It all together creates a very authentic and sometimes folk-like impression.
The music has been mixed with beautiful (mainly female) voices, which will make you dream away. The songs have been mainly sung in English language, but you’ll also discover a few Gaelic- and Prussian sung tracks. The lyrics are clearly inspired and driven by poetry.
+ + + : “Reflection Of A Higher Realm” is what I would call a beautiful album. It also is a real achievement to have assembled that much guest musicians playing different instruments. Most of the instruments inject a truly spirit, which can be now into melancholia and next into pure reverie. I enjoyed the trumpet play on “Today’s Eulogy”, but I definitely can mention numerous other tracks. The song of the album maybe is “Dance Into Images”, which next to outstanding female vocals is featuring a kind of children choir. It creates an extra and somewhat transcendental feeling.
– – – : I don’t see real points of discussion about this album. It’s such an artistic and achieved piece of music you only can, but adore this work.
Conclusion: This work is a sort of music blessing. It’s a precious and fully artistic creation getting us back to the sources of ‘music’ in the truest sense of the word.
Best songs: “Dance Into Images”, “Today’s Eulogy”, “Reflection Of A Higher Realm”, “Wassara”, “Like An Out-Dated Pre-Raphaelite”.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.