Background/Info: This album is a collaboration between Tony Scott (Edit Select) and Antonio Ruscito. It also is the work between different generations. At one side you get an experienced Scottish producer and label owner (cf. “Edit Select”) and at the other side an upcoming Italian talent (cf. “Antonio Ruscito”).
Content: The common efforts between both protagonists take off in a rather ambient and even experimental way. The production is characterized by low, resonating sound vibrations, which have been accentuated when danceable rhythms join in.
The music evolves towards danceable vibes, pretty deep-techno minded, but still very dark. The atmospheres in the background are ultra dark revealing a fascination for ambient music.
+ + + : “Visitors / Projections” sounds futuristic. It makes me think of techno music from a future generation, but it mainly reveals the impressive production skills of both artists. I like this dark-techno format carried by low sound sculptures and deep kicks. The work has been accomplished by some bleeping sequences. The last part of the work is absolutely great and features multiple outstanding dance cuts.
– – – : In the long run, the music starts to repeat itself and even becomes a bit predictable. Despite of the numerous great cuts I feel like it’s missing a total apotheosis.
Conclusion: Edit Select & Antonio Ruscito have accomplished a modern technoid work, which is styled and based upon a magic sound production.
Best songs: “Projection 5”, “Projection 8”, “Projection 2”.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.