Dead Melodies & Zenjungle – Anthropocene (Album – Cryo Chamber)
Genre/Influences: Cinematographic.
Format: Digital, CD.
Background/Info: This album is the meeting between Tom Moore (Dead Melodies) and Phil Gardelis (Zenjungle). British project Dead Melodies is a familiar artist from the Cryo Chamber roster while Zenjungle is a Greek artist who’s mainly involved in ambient and jazz productions. He’s playing saxophone and clarinet, but still guitar.
Content: This album features an inhibited sphere created by electronic sound layers and field recordings while reinforced by the warm, yet mysterious sound of the saxophone. It feels a bit like the offspring between two different worlds, but in the end it all resulted in a truly sonic symbiosis. It’s a total cinematographic music trip, which however reveals dark passages.
+ + + : I’m probably too often linking saxophones with jazz music while it of course is an instrument that is featured in different genres. It’s not that usual to hear a saxophone used on dark-ambient/cinematic music, but it creates a delicious and wafting sensation on this album. Both artists have created an intimated sphere where you sometimes even get the impression of becoming a voyeur. The tracks are somewhat enigmatic, but also tickling our fantasy to dive into an imaginary world. “Anthropocene” is made of darkness getting the listener into a relaxing mood.
– – – : The album features five cuts, which unfortunately all sound pretty similar.
Conclusion: This album totally fits the cinematic roster of Cryo Chamber although it injects some diversity in its global approach. I can only encourage both artists to renew this experience.
Best songs: “Wisp”, “Where Demons Sleep”, “The Book”.
Rate: (7½).
Artists: www.facebook.com/thedeadmelodies / http://zenjunglemusic.com /
www.facebook.com/zenjungleMusic
Label: www.cryochamberlabel.com / www.facebook.com/CryoChamber
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.
