Belgian post-punk / new wave act Spiral of Silence returns after almost 20 years of total studio silence
Good news for fans of the Belgian post-punk / new wave act Spiral of Silence. The band’s drummer Achiel Keppens informs us that they have a new single out, “Toll”, and this almost 20 years after their last studio effort, “Decadent” (2002), which got released back then on Purple Moon Records.
The new album will see also Kloot Per W joining on guitars and co-writing and half of Siglo XX will collaborate as well. In short a Belgian post-punk affair. But that’s not all, the band also plans a new tour for 2021-2022.
Here’ s a sneak preview of the band’s forthcoming single “Toll” out on the British label Jesus Factory Records.
About Spiral of Silence
Spiral of Silence is a Belgian post-punk / new wave group with strong influences from the Madchester scene of the late 70s and early 80s. Formed in 1991 their first demo was released under the name “Theater Of Pain”, but after the death of Bart Auwaerts (also in the group Spiritus Mundi) the band changed their name.
After one more demo, “Connection” (1996), the band released 2 albums, one on the Italian label Energeia (“Leap” – 1998) and one on the Belgian label Purple Moon Records (“Decadent” – 2002). Note that Antonio Palermo of that other Belgian new wave cult act Siglo XX also played in Spiral of Silence. His characteristic guitar sound can be heard on the album “Decadent” and the track “Echo” was entirely produced by Antonio.
In 2001 the band also self-released “The Early Years ’91-’95” compiling the previously released demo tapes “Theatre Of Pain” (1993) and “Connection” (1996).
By 2003 Spiral of Silence ceased all activities but later on did play some reunion concerts (including in London) without recording new material. In 2013 Spiral of Silence got back on track and started touring again.
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.
