RIP Stefan Joel Weisser (aka Z’EV)

According to various reports, 66-year old industrial music pioneer and percussionist Stefan Joel Weisser (aka Z’EV) died yesterday. Last year Weisser survived a derailed Amtrak train accident in Dodge City. It took him months of revalidation but it seems that he was slowly recuperating. It’s yet unclear what caused his death.
In a reaction to the news Boyd Rice posted this: “Just received word that long time friend Z’EV just died. Cause uncertain at this time, but he had spitting up blood recently. He spent last winter in our guest bedroom pursuant to the train derailment he was airlifted from, because his doctor told him he met get not survive a winter in Chicago. And the man we met at Denver international airport was a shadow of the person I’ve known for over four decades. His spirit was still tough as nails but physically he seemed devastated and had difficulty ascending the stairs to his room.
Three and a half months later much of his strength seemed restored; he had survived the winter and the outlook seemed good. We had recently heard from him that he was doing some shows in Mexico and was going to spend this winter in Santa Fe. I’d assumed that even if he would never be 100% again he was at least back on his game. I had convinced him to release a box set of recordings through a German company that would chronicle his entire career and that I would write the perfect liner notes for it. I would say that Z’EV was to the avant garde what Iggy Pop was to rock and roll: total intensity, energy and raw power and he often left the stage in the early eighties cut up and bleeding from the injuries he received from his own instruments.
I’d made extensive notes for my text and look forward to promoting the life and career of a man I thought was one of the most under appreciated figures in modern music. A linguist, an ethnic musicologist, a scholar, a mystic; but a man who could distill all this into a performance so intense that it could captivate an audience in a punk rock venue. That was his unique gift. He was one of the most talented people I have ever met. And there has never been any performer akin to him.”
The Z’EV discography is spread over various labels: Backstreet Backlash Records, Subterranean Records, Staaltape, Coercion, Atonal Records, Dossier, Atavistic, Avant, Soleilmoon Recordings, Crippled Intellect Productions, Cold Spring, Tzadik, Touch, Die Stadt, SmallVoices, Blossoming Noise, Ars Benevola Mater and so on.
About Z’EV
Z’EV was the performance name of Stefan Joel Weisser (born 8 February 1951; died 16 December 2017). Weisser was an American poet, percussionist, and sound artist. He began playing percussion at age three and built his first drum set at age six. After studying world music traditions at the California Institute of the Arts (CalArts), he developed an approach built on self-fabricated instruments made from stainless steel, titanium, and PVC plastics.
He began performing as Z’EV in fall 1978. The name came from his Hebrew given name. His early work centred on extended live percussion pieces using the resonant properties of metal to generate dense, layered sound environments.
In December 1983, Z’EV performed at the Berlin Atonal festival, a set documented on side two of the 1984 split LP “Berlin Atonal Vol. 1” with Psychic TV (Atonal Records). In 1986, Dossier issued “Schönste Muziek” as an LP.
Throughout his career, Weisser released recordings on labels including Backstreet Backlash Records, Subterranean Records, Coercion, Atonal Records, Dossier, Atavistic, Avant, Soleilmoon Recordings, Crippled Intellect Productions, Cold Spring, Tzadik, Touch, Die Stadt, and Ars Benevola Mater. He was active in the New York City downtown music scene during the 1980s and 1990s, performing at The Kitchen, The Knitting Factory, and Danceteria, and worked alongside Elliott Sharp and Glenn Branca.
Chief editor of Side-Line – which basically means I spend my days wading through a relentless flood of press releases from labels, artists, DJs, and zealous correspondents. My job? Strip out the promo nonsense, verify what’s actually real, and decide which stories make the cut and which get tossed into the digital void. Outside the news filter bubble, I’m all in for quality sushi and helping raise funds for Ukraine’s ongoing fight against the modern-day axis of evil. Besides music I’m also an SEO and AI content flow specialist and have an interest in everything finance from stocks to crypto. There is music in everything!
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.

