Background/Info: Wolfhead59 is driven by the London (UK) based duo Agnes de la Barthe and J. de Vil.“We Are Not OK” is the band’s official debut album.
Content: If you’re a bit familiar with the D-Trash label roster you know what to expect! Wolfhead59 brings a furious mix of industrial and hardcore. Some tracks remind me of the imaginary hybrid between Ultraviolence and Ambassador21. The lyrics are pretty rudimentary, just a few words, which are mainly repeated by the sexy, but harsh singing Agnes de la Barthe. J. de Vil is also doing some back vocals. A very few cuts are a little less elaborated with some extra sounds and I even noticed a kind of tune running through “Girls”. The tracks are rather short, but full of energy.
+ + + : Wolfhead59 is a real nice surprise, but you definitely have to be experienced with this kind of stuff. The album sounds like having been composed by a sonic ogre, revisiting industrial music to create a harsh and perverted sound. The enraged, shouting vocals have something evil, which is matching with the music. This is industrial music composed by punks! The song “Napalm Disco” also is the right definition to get an idea what this band is all about. But the most noticeable song is for sure “Girls”, which sounds to me as a potential hit because of its simple tune adding a bonus to the song.
– – – : I don’t have real minus points here, but I think it would be interesting to get a few more songs with an extra tune or extra explicit, leading sequences.
Conclusion: Music can be hard and disturbing and yet giving you a great feeling! “We Are Not OK” is a funny contradiction for a successful debut album.
Best songs: “Girls”, “We Are Not OK”, “1711”, “Combat Yoga”.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.