Background/Info: The Juggernauts is a Belgian band featuring Peter Mastbooms aka ‘BORG’ (music, lyrics and vocals) and Glenn Keteleer (music and producer). BORG is a veteran of the Belgian scene who was involved in bands like Vomito Negro and The Klinik. Glenn Keteleer got some fame with his Radical G project and is more involved into minimal-electronics and techno-body music. The Juggernauts released a promising debut-EP “Phoenix” in 2013, but we had to wait 3 more years to discover their debut full length.
Content: From start on you rapidly will recognize a typical old-school inspired EBM, which might remind you of bands like Front 242 and Nitzer Ebb while some darker elements are a bit in the Klinik-vein. The inspiration doesn’t bring anything new, but the global production reveals a high-tech approach.
This duo has found a right balance between a retro-EBM sound and the modern technology and knowledge of a techno-inspired production. It’s not exactly a reinvention of EBM, but it’s more into classical EBM with a refreshing touch on top.
Several songs clearly evoke the golden years of EBM. You’ll easily recognize familiar and old-fashioned ‘242’-shouts and other dry EBM bass lines à la Nitzer Ebb. This work is carried by sharp-cutting bass lines and dry snares in the purest 80s vein. The compositions are well-crafted and elaborated.
+ + + : The Juggernauts are not just making good-old EBM, but they took care to accomplish it with a unique touch and approach. The sound is into pure vintage elements while refreshed with a powerful and modern production. There are several potential dancefloor killers. Even if the title song opening this album clearly doesn’t sound like a potential club-hit, this song is a real masterpiece for its global progression and sound approach.
– – – : The album features 10 songs, but 4 songs were already released on the “Phoenix”-album. We get updated versions instead, but only 6 new cuts is not that much for an album we had to wait for 3 years now.
Conclusion: The image of The Juggernauts looks pretty futuristic while the sound is clearly inspired by retro-EBM. The robotic image might be seen as symbolizing the modernism and minimalism of the production. This album clearly sounds like an exciting EBM opus revealing many outstanding cuts.
Best songs: “Follow”, “Phoenix – V.2K16 Extended”, “Plastic World”, “Infacted – V.2K16”, “Damaged Illusions – V.2K16”.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.