Genre/Influences: Dark-ambient, cinematographic. Background/Info: Synoiz is a solo-project driven by Graeme Donaldson. The artists hailing…
Genre/Influences: Dark-ambient, cinematographic.
Background/Info:Synoiz is a solo-project driven by Graeme Donaldson. The artists hailing from Newcastle Upon Tyne (England) strikes back after a hiatus of 4-5 years.
Content: The main sources of inspiration remain dark-ambient minded. Donaldson invites the visitors to enter a horror sound-universe. Endless sonic corridors filled with vibrating sound waves and obscure atmospheres have been merged with multiple field recordings and fragmented or whispering voices and chants.
“The Forbidden” is an appropriated title for this anguishing sound trip, which during the entire voyage remains cold and tormented.
+ + + : “The Forbidden” brings most essential elements of any great dark-ambient release together. The composition has a solid visual appeal, which is reaching its climax at “The Forbidden (Below)” where mysterious background chants are accentuating the production of adrenaline. The icy and disturbing atmospheres reinforce this freaky sensation while I also like the progression of the tracklist, which takes off a rather ‘innocent’ way and slowly moves towards poignant pieces.
– – – : “The Forbidden” features 10 tracks. The first ones can’t really convince me, but quite progressively I started to really enjoy this album. I would have preferred a few less cuts and even more elaborate the others.
Conclusion: The titles of the tracks clearly indicate you’re entering an anguishing area. Synoiz is an imaginary antechamber of horror.
Best songs: “The Forbidden (Below)”, “Exsanguinate”, “Some Inhuman remains”.
Since you’re here …
… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help.
Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.
If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.
The donations are safely powered by Paypal.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.