Rhys Fulber – Baut Mit! (EP – Sonic Groove)
Genre/Influences: Industrial-techno.
Format: Digital.
Background/Info: Rhys Fulber (Frontline Assembly, Delerium, Conjure One ao) last year released his second full length solo-album “Ostalgia”, which was a new exploration of contemporary dark-techno paths. “Baut Mit!” features four remixes from songs originally released on “Ostalgia”.
Content: The Berlin techno-underground scene is probably one of the most famous ones in the world. Sonic Groove’s owner Adam Mitchell is based in Berlin and I can imagine it has incited Rhys Fulber to get remixed by artists from the German capital of techno music. Tommy Four Seven, Headless Horseman, Traversable Wormhole and Phase Fatale took each one song from “Ostalgia” and transposed them into their own techno perception. From the cinematic-techno interpretation of “Misery Whip” by Tommy Four Seven to the brutal remix of “Apostel” by Headless Horseman to the acid-retro like remix of “Fisson” by Traversable Wormhole to the more techno-industrial driven “Right Hand Of the Free World” remixed by Phase Fatale, this EP stands for diversity.
+ + + : Diversity is for sure the main strength of this work. I heard a great remix by Headless Horseman, but Traversable Wormhole’s merciless transformation of “Fisson” is my personal favorite. I enjoyed the kind of whipping snare drum and the acid-like sequences.
– – – : This EP is food for DJ’s, but I’m missing an extra song or remix by Rhys Fulber himself.
Conclusion: Rhys Fulber remains a source of inspiration, even for artists who are not familiar with darker electronics and industrial music.
Best songs: “Fisson – Traversable Wormhole Remix”, “Apostel – Headless Horseman Remix”.
Rate: (7½).
Artist: www.facebook.com/rhysfulbermusic
Label: www.sonicgroove.com / www.facebook.com/Sonicgrooverecords
Since you’re here … … we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. And unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can. So you can see why we need to ask for your help. Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive. If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you. The donations are safely powered by Paypal.
