October 3, 2024

LPF12 – Differ (Digital Album – LPF12)

0
🇺🇦 Side-Line stands with Ukraine - Show your Support

Genre/Influences: Cinematographic, IDM, experimental.

Background/Info: Sascha Lemon remains a real prolific artist. He releases several productions a year and “Differ” was already unleashed several months ago now. The work has been introduced by the artist as more ‘oriented music’ instead of the improvised composition formula he was more used to dealing with.

Content: I think it’s first of all a new work where LPF12 moves on exploring the soundtrack approach he revealed at his latest productions. It’s a natural process that happened, but this opus definitely is the most cinematographic-orientated creation. It’s pretty wafting and features multiple astral sound atmospheres, but it also is a refined composition featuring piano arrangements.

A few passages and sequences are getting back to the IDM style, which became Lemon’s trademark since he got back into music. In the end it also becomes a bit experimental revealing field recordings (or samplings).

+ + + : The cinematographic style becomes more important to the composition of LPF12 and even if I definitely prefer the IDM-minded stuff, Sascha Lemon clearly reveals to have a nose for this music genre. “Differ” could have been a real soundtrack. My favorite cuts however are the ones featuring IDM elements. “Equal” is a cool cut illustrating the symbiosis between all the influences used on “Differ”.

– – – : This album is without a shadow of doubt the most surprising and maybe atypical one in the impressive LPF12 discography. It’s the kind of production, which sounds like a concept between different arts. I’m missing the visual side.

Conclusion: LPF12 is a prolific artist, but I can’t say that the artist is repeating himself rather than simply evolving in his sound. It’s an interesting evolution, but definitely not my favorite release from this project.

Best songs: “Equal”, “Nachtflug”.

Rate: (6½).

Artist: www.lpf12.de / www.facebook.com/LPF12SL

author avatar
Inferno Sound Diaries
I have been working for over 30 years with Side-line as the main reviewer. My taste is eclectic, uncoventional and I prefer to look for the pearls, even if the bands are completely unknown, thus staying loyal to the Side-Line philosophy of nurturing new talents.

Since you’re here …

… we have a small favour to ask. More people are reading Side-Line Magazine than ever but advertising revenues across the media are falling fast. Unlike many news organisations, we haven’t put up a paywall – we want to keep our journalism as open as we can - and we refuse to add annoying advertising. So you can see why we need to ask for your help.

Side-Line’s independent journalism takes a lot of time, money and hard work to produce. But we do it because we want to push the artists we like and who are equally fighting to survive.

If everyone who reads our reporting, who likes it, helps fund it, our future would be much more secure. For as little as 5 US$, you can support Side-Line Magazine – and it only takes a minute. Thank you.

The donations are safely powered by Paypal.

Select a Donation Option (USD)

Enter Donation Amount (USD)

Verified by MonsterInsights