January 4, 2026

Kraftwerk: La Máquina Humana (The Human Machine) – Muzikalia publishes first Spanish-language biography of the electronic pioneers

Kraftwerk: 'La Máquina Humana'

Kraftwerk: 'La Máquina Humana'

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“Kraftwerk: La Máquina Humana (The Human Machine)” is the latest release from Spanish publisher Muzikalia, marking the first Spanish-language biography of the German group Kraftwerk, one of the most influential acts in the history of electronic music. Written by journalist Pablo Ferrer Torres (“La Santísima Trinidad”), the book offers a detailed exploration of the band’s history and legacy, with a foreword by Servando Carballar of El Aviador Dro.

The biography dives into the origins and evolution of Kraftwerk and provides readers – especially newer generations – with a close look at a band whose influence spans electro, techno, hip hop, and synthpop, as well as broader avant-garde art movements.

Founded in 1970 by former Düsseldorf conservatory students Florian Schneider and Ralf Hütter, Kraftwerk launched their sonic experiments from their Kling Klang studio, producing cult albums like “Autobahn”, “Trans Europa Express”, and “Computerwelt”. These records helped establish the foundations of modern electronic music and inspired artists across a wide spectrum, including Björk, Daft Punk, David Bowie, Depeche Mode, Joy Division, and Radiohead.

“Kraftwerk: The Human Machine” begins in 1970 and traces the band’s evolution from a visionary student project into a global cultural icon. The book is now available via Muzikalia.

Extra details about ‘Kraftwerk: La Máquina Humana’

Pablo Ferrer Torres, known for his previous work “La Santísima Trinidad” (covering Depeche Mode, New Order, and Pet Shop Boys, also published by Muzikalia), brings his expertise in electronic and synthpop music to this project.

Carballar is a Spanish musician and founder of El Aviador Dro, provides a foreword that connects Kraftwerk’s legacy to the Spanish music scene. Aviador Dro, formed in 1979, was directly inspired by Kraftwerk, adopting a similar electronic and futuristic ethos. Carballar is credited with coining the term “tecnopop” in Spain, and his involvement adds a unique perspective to the biography.

As an independent Spanish publisher, Muzikalia has carved a niche in music journalism and publishing, with Kraftwerk: La Máquina Humana being their ninth book. Their focus on electronic and alternative music makes them a fitting platform for this biography.

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